The Floating Island - A Tragi-Comedy
The source for this document is https://quod.lib.umich.edu/e/eebo/A94057.0001.001
Project Note
This is licensed under Creative Commons CC BY-NC-ND. This license allows reusers to copy and distribute the material in any medium or format in unadapted form only, for noncommercial purposes only, and only so long as attribution is given to the creator.
The source of this document is the Early English Books Online (EEBO-TCP) website. Those books were transcribed in a character for character manner and can be very cumbersome to read since there was no standard spelling during that time. Many spelling variations such as "unlesse", "vnlesse", and "vnles" regularly appear.
This project was conceived to clean up those books as much as possible and make them more accessible to the interested reader, leading to the creation of a massive list of variant spellings and their corrections. This was used to clean up the text, but is of course only as complete as the list itself. Because of the nature of the original transcription, some words have missing characters or places where the original language (e.g., Greek) was not transcribed. This effort does not change that. Be aware that the original transcription can also be faulty and in some cases entire sentences may be missing.
Although this is no substitute for a properly compared, proofed, and scholarly edition, I believe that the result is a document which is far more accessible, particularly for searching for terms using standard spelling. The document has been cleaned and presented in what I hope is a pleasing and useful format for the vast majority of Christian brothers and sisters who just want access to read these spiritually nourishing works.
However, a word of warning: The Puritans were a very diverse group of people and their age was characterized with godliness, but also much upheaval, disputation and strife. They disagreed on many doctrines and some of these works contain less orthodox or Scriptural views than others. The reader is strongly advised to read with discernment, particularly if it is unknown whether author is trustworthy.
This project took a huge amount of time and skill to bring to fruition. I would particularly like to thank David Jonescue for the initial list of Puritans he found on EEBO and the concept behind this project as well as the continuous, unceasing efforts toward seeing this complete. Without his labor, this would not be available. Alex Sarrouf was invaluable in providing the initial list of over 7,000 spelling variations he had identified and corrected, as well as continuing to review more than 16,000 additions to that list for any typos.
Logan West
(with David Jonescue and Alex Sarrouf)
www.puritansearch.org
THE FLOATING ISLAND: A TRAGI-COMEDY, Acted before his Majesty at OXFORD, Aug. 29. 1636. By the Students of CHRIST-CHURCH.
Written by WILLIAM STRODE, late Orator of the University of OXFORD.
The Aires and Songs set by Mr. HENRY LAWES, servant to his late Majesty in his public and private Music.
LONDON, Printed by T. C. for H. Twiford in Vine-court Middle-Temple, N. Brooke at the Angel in Cornhill, and J. Place at Furnivals-Inn-gate. 1655.
To the Reader.
B Efore you read so far as the Prologue, be pleased to consider this Tragi-comedy was both written and presented above eighteen years since; and if now it seem (in Language or Plot) to fit these times, it must be by Prophesy, the Author also himself having been long dead. He wrote it at the instance of those who might command him; else he had scarce condescended to a Play, his serious thoughts being filled with notions of deeper consideration. 'It is sufficient for its worth that the best liked it best; the rest (especially those great ones of the weaker Sect) should claim no lawful Judicature over it, since it was not written for them, though they thought themselves too severely dealt with, which yet was an injury to the Author as well as his Poem. Were this translated into Latin or Italian, it would be grateful to foreign Wits; and if at home it find less welcome, 'tis because there is not so much true wit among us as was or ought to be. It is not now inscribed to any for Protection, but left dedicated (as it was by the Author when it was first born) to the Authors noble Patron. If you bid this welcome, you will be gainers by it; for then you will encourage us to publish other Pieces of this Authors, which (we dare say) will convince you to say (what the best and most knowing of this Nation have confessed) that our Author was one of the 〈◊〉 judicious wits of England. Farewell.
To my most Honoured Patron, Sir JOHN HELE, Knight.
Your most Humble and most affectionate Servant, WILLIAM STRODE.
Authori Illustri.
J. D.
After the Appearance of a FLOATING ISLAND,
Enter the Prologue, as coming out of the Sea.
To the King and Queens Majesty.
To the University,
Before whom it was afterwards acted.
-
The Persons.
- Prudentius the King deposed.
- Intellectus Agens his Counselor.
- Sir Amorous a Courtly Knight.
- Hilario his Son a merry jovial Gent.
- Malevolo a Malicious contriver.
- Melancholico a Malcontent turned Puritan.
- Irato an Angry Lord.
- Audax a bold Captain.
- Sir Timerous-Fearall a Cowardly Knight.
- Livebyhope a Favorite
- Desperato a desperate Soldier turned Physician.
- Memor a Lawyer and Recorder.
- Phancy the new instated Queen.
- Concupiscence the lustful daughter of Amorous:
- Fuga the coy daughter of Malevolo.
- Morphe the beautous Mistress of Amorous.
- Morpheus the God of Dreams.
- 6 Dreaming Masquers
- Groome of the Chamber.
- Ovidian a Poet.
- Model a Tireman.
- Painter
- Musician
- Hilario's boy, and Atendants.
The Floating Island.
ACTVS I.
SCENA. I.
SCENA II.
SCENA. III.
We were taking care how thou mayest be merry thus always; never be checked for drinking, for singing, or for playing thy pranks.
I imagine your design: and thereto promise, give, grant, let, set and submit my full assent and consent: In witness whereof here's my hand with a clap, and my seal with a kiss; Your son and servant Hilario.
SCENA IIII.
SCENA V.
SCENA VI.
SCENA VII.
ACTVS II
SCENA. I.
SCENA II.
SCENA III.
What here ye whirlygigs, while Queen Fancie calls you? Where's Concupiscence, where's Concupiscence? After all your Starching, Quilling, Turning, Seeking, Pinning; after your Jury of Pedlars, Tirewomen, Lacemakers and Semsters, still where's Concupiscence? Your Lady Fancie finds many grievous defects; there wants a Pin or two at least. One of her ribband Fancies are loose; a long hair hath un weav'd it self out of its curl'd Sphere, and passionatly broke forth out of Order. Fly, fly, ye Baggases.
Baggases?
As for my Sister, she's one I am sure: She colors for it; her willow gown with • ay me forsaken wretch is a Challeng, a mere Challeng to all pitiful-minded Amoroses: She's true touch, all the world can tell. Wu'd you were so too Lady for Sr. Tim's sake. Stay Fuga, you must stay one minute; for I must show on you how Sr. Tim. must woo.
I see everyone's ready to be a Dunces Teacher.
Thus Sr.
This is Loves Trenchmore.
Fie on you all.
You may—and I shall readily afford it to your folly
For mine own merriment.
The Queen's at hand.
And they not ready yet with their tedious Phantastticalia!
SCENA IIII.
Three? what no more? Why, I have killed three hundred, would three thousand.
Where's that appearance which we have expected? And where's my glass?
You have one in your watch.
That's not big enough. Run Fuga; come hither Concupiscence, pin this handsomer.
Au. Desp.
Boy, fill up the Time with noise.
SCENA V.
SCENA. VI.
ACTVS III
SCENA I.
SCENA II.
SCENA III.
SCENA IIII.
Morpheus in a Cloud-coloured Cassock with a wreath of Poppies and a Caduceus from a black Cell. Then at his call, six sleeping Persons in their night caps half down their Faces, and in their wastcoates, representing in their clothes downwards Memor, Malevolo, Irato, Timerous, Hilario, Desperato. Morpheus shakes his Caduceus over them severally as they stand in Couples. Being moved they fall successively into their proper gestures, and lastly all dance together in those gestures.
SCENA. V.
By this way Sir Timerous should come; whom I as sent from his wronged Lady Fuga have engaged in a quarrel against Audax. And yonder comes the pitiful Earthquake most lovingly trembling.
What should I do here? some desperate knave or other, Desperato himself (it may be) hath robbed me of my best weapon. I thought not to have fought with steel, but with Gold; and to have brought this needy Captain to an honorable submission by dint of Cash. What disasters have I? That unreasonablly wicked, that divlish two faced Cutter knew me too well: for when I drew this harmless blade, he looked upon it as slightly as upon a riding wand; and bad me familiarly put up that, and draw my purse. Certainly I have too much of the Mother; I am that which they call a Coward, and all the world knows it. Wherefore (O Ribband) I take it extreme scurvily of Fuga, that she being of the same temper her self, doth not consider her temper in me.
Now this Craven stands as ticklish on the point of running as a Bowle on the top of a ridg.
Two steps further I will move. I have been coming a quarter of a mile these two hours at least; and yet I sweat till the very drops run a race; my shaking fever is turned to a cold sweat, and that's a true Prognostication of death.
Good night to all the world; for this is that fatal piece of ground which I shall anon-measure with my Carcasse. Never a Bush nor Hole here? though it be called Champion ground I shall not fight: perhaps I shall make use of its plainness, and give ground a mile or two; that shall be my way of fighting. For if I the Challenger stand still on my guard, it will not stand with mine honor: And then while I keep my backsword point still in his face (I have seen the play at cudgells) he will wheel about me, and falsifying a blow at the head will strike me just on the legs where my heart lies. Then shall I be quite spoiled for running away; which I think I had best do presently, for I hear him coming. O—
Now I see Sir Tim, thou art a Lad of mettle.
Mettle? I protest Sir I had rather drink this cold iron filed small to dust and be a Lad of mettle so, then to thrust it whole into any man's flesh whatsoever; much less into my Enemies. You see then what power Love hath, and how Fuga is beholding to me.
Most dreadfully.
Is not the time yet past? I think I may retire with honor, and say he durst not meet me.
It wants yet half an hour. If you hold not out your time, then he will assault you openly in Court, and make your shame public, which otherwise will be but private. I will stand secretly by you, and if need require will step in and part you.
Stand not far off I beseech you for when I am killed I shall not be able to call.—O my heart!—the Giant's coming—O— Hilario — Malevolo passes by.
Saw you not here Irato?
No believe me Sir; no I thank heaven. Hilario! —Now comes Audax. O— I have but a minute to live. Irato passes by.
How now stinkerd, how does thy breech? sawst thou not here Malevolo?
He past by in hast; just now in hast.—Well. Two Furies are past. I will not wait for the third, go Love and Honor whither they will. Hilario! —I fear he hath left me. I will raze my Flesh with a slight cut, and swear I received that wound in fight. But now I think on it better, I have an issue under my left arm; I will force that bigger till it bleed, and swear that into a wound. For sure a fresh one would be far greater pain. Soft, I am loath to suffer so much, if I may choose Hilario? —
What a Champion are you? not dare to look a man in the face?
Sweet Hilario, I consider thou hast no Sword to help me: stretch thy wit, and invent some speedy way, how I may escape with honor, and not fight?
You cannot possibly escape fighting.
Sweet Hilario do not kill me before hand with saying so.
Why then will you be ruled by me?
In anything, anything. Quickly for love of Life.
I have promised to furnish the Queen with a new Lady attendant.
What then?
Put on Woman's apparel, you shall be she; by name of Madam Timida.
Ha! Say on.
Then shall you be free, not only from this quarrel, but from all future beatings and challenges.
Safe and sound!
Then shall you have perpetual access to Fuga, bully.
Safe and delicious!
Then to steal her affection you may habit yourself like her.
Safe and wise!
Then as for you honor, who can upbraid you when you are nowhere to be sound: twill be supposed by your sweet friend, that you died in her quarrel, Audax if he himself talk will be dangerously questioned.
But will you be secret?
For mine own sake, mine own sake, Sir Tim.
Dearest Hilario, thou art my preserving Angel.
Make hast, before you can new cast yourself I will come to present you.
Poor snake, I delivered no Challeng; I only frighted him to a more willing Metamorphosis.
SCENA VI.
SCENA VII.
SCENA VIII.
ACTVS IIII
SCENA I.
SCENA II.
SCENA III.
SCENA IIII.
SCENA V.
SCENA VI.
SCENA VII.
SCENA VIII.
SCENA IX.
SCENA X.
SCENA. XI.
SCENA XII.
SCENA XIII.
SCENA XIIII.
SCENA XV.
SCENA XVI.
ACTVS V
SCENA I.
The Scene turns to the house of Despair. A Table there laid.
SCENA II.
SCENA III.
SCENA IIII.
SCENA V.
SCENA VI.
SCENA VII.
SCENA VIII.
SCENA. IX.
SCENA X.
SCENA XI.
-
A Scheme of Posture.
- Prudentius
- Fancie
- Amorous
- Concupiscence
- Hilario
- Audax
- Livebyhope
- Irato
- Intellectus
- Memor
- Malevolo
- Fuga
- Melancolico
- Timerous
- Desperato